The SL-1200, which was the catalyst for the birth of DJ culture, continues to be a de facto standard even after more than 50 years from its market release.
The SL-1200 turntable series has transcended the status of being audio equipment and is now treated as a “musical instrument.” Technics turntables have a long history worth knowing.
Take your performance to new heights with the DJM-900NXS2, which features our first ever 64-bit mixing processor for a warmer, more nuanced sound. We’ve fine-tuned the EQ and fader curves and enhanced the FX controls to give you even more creative choice. Plus the versatile DJM-900NXS2 has an independent Send/Return, 4 phono inputs and 2 USB ports – giving you flexibility to set it up your way
The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats. Download the rekordbox™ music management software or the rekordbox app to prepare your sets.
QSC K8.2 active loudspeaker is designed to give you power and clarity. The QSC Directivity Matched Transition® (DMT) design projects your band’s sound comfortably in any environment and for the entire audience. The K10.2 premium loudspeaker delivers accurately any signal going through it- from the detailed nuances of vocals or the crispness of cymbals, to the full body of a guitar or a bass sound. The QSC K8.2 active loudspeaker is truly a go to for professional musicians and engineers alike!
QSC K12 active loudspeaker is designed to give you power and clarity. The QSC Directivity Matched Transition® (DMT) design projects your band’s sound comfortably in any environment and for the entire audience. The K12 premium loudspeaker delivers accurately any signal going through it- from the detailed nuances of vocals or the crispness of cymbals, to the full body of a guitar or a bass sound. The QSC K12 active 2000 watt loudspeaker is truly a go to for professional musicians and engineers alike!
The WS218X is a high performance sub-bass system designed for use with large scale systems, in both Live and Installed applications. Featuring a 1000 Watt 18″ (460mm) drive unit with magnet structure and suspension engineered for maximum linear excursion.
The Martin Audio W8LC is a compact line array enclosure designed to bring superb next-generation line array performance to concert, theatre and commercial events. It meets the need for a high power, high bass impact system that is versatile and scalable for a very wide range of applications in the live sound, corporate and fixed installation fields. W8LC grids allow systems to be flown or ground stacked as required. Though compact in size, the W8LC is a full-bandwidth system and may be used without subwoofers in many applications. Where additional low frequency extension is required, W8LCs may be complemented by the W8LS Line Array subwoofers, WLX horn and reflex loaded subwoofers or WSXa horn loaded subwoofers.
Following the all-horn design philosophy of the full-size W8L Longbow, the W8LC is a 3-way system that combines line array principles with innovative horn loading techniques to produce a very powerful compact line array with impressive dynamic impact.
The low frequency section of the W8LC comprises a horn loaded 12″ (300mm)/3″ (75mm) coil neodymium driver that is reflex loaded to extend the LF output to below the natural cut-off point of the horn. This Hybrid technique marries the very high efficiency of horn loading with the extended low frequency response of a reflex enclosure.
The mid horn of the W8LC utilizes 2 x 6.5″ (165mm)/1.5″ (38mm) coil, maximum efficiency drivers to produce 106dB at 1m for a 1W input – a significant efficiency gain over direct radiator systems.
The W8LC’s HF section comprises three 1″ horn elements to produce a low-curvature vertical wavefront with an efficiency of 109dB at 1m for a 1W input. This optimal HF curvature enables W8LC enclosures within the array to be splayed up to 7.5° without introducing gaps in the HF vertical coverage.
The Martin Audio W8LM is a mini line array enclosure designed to bring line array performance benefits to a variety of small and medium scale applications. It meets the need for a versatile, scalable system that can be flown or ground stacked for corporate events, theatres and indoor venues. It is also suitable as a delay system for large scale outdoor sound reinforcement.
The Vintage Blaze ’55 is a great complement for the most creative lighting designs. With the Retro look the Vintage Blaze ’55 is ideal for live, theatre and TV applications. In addition to the tungsten lamp, the Vintage Blaze ’55 has a RGB LED Blaze background effect with strobe function and colour macros which gives an extra dimension to this fixture. The combination of both light sources can create great atmospheres on stage and can even be used for blinding FX. The Vintage Blaze ’55 can be used in all demanding DMX modes from 1 up to 11 channels. The manual option gives you the opportunity to run the fixture in stand-alone modus.
Extending the ROBE series of retro style lighting, PATT 2017 is LED driven environmentally conscious and can be a playfully colorful or adaptable tungsten white-like eye-candy effect for the stage and set – perfect for bands, television, film and general prop lighting.
Lighting fixtures can be more than a practical necessity – the luminaires themselves can be a piece of art and create the mood. This fixture is based on an idea conceived by lighting designer Tim Routledge. The 7x40W RGBW LEDs powerfully illuminate the seek, spun aluminium body which maximises its curves to look as good on stage as the performers it illuminates. Besides controlling the complete LED cluster as one unit, it is possible to control each single LED independently, creating smooth animations, transitions and rainbow effects on the aluminium reflector having the special „PATT“ gold-brown coating.
The PATT 2017 has a remote power and data box PATT driver and is connected through standard colour scroller cables with 4-pin XLR Connectors. For easy installation the PATT 2017 can be connected or disconnected from the PATT Driver under power.
